Key SpeechFriday, April 16, 2010 / 2:34 AM
Act 2, Scene 7. lines 63-77
Prince of Morocco:O hell! What have we here?
A carrion Death, within whose empty eye
There is a written scroll. I'll read the writing.
All the glisters is not gold;Often have you heard that told.Many a man his life hath soldBut my outside to beholdGilded tombs do worms infold Had you been as wise as bold,Young in limbs, in judgement old,Your answer had not been inscrolledFare you well, your suit is cold.Cold indeed, and labour lost.
Then farewell heat, and welcome frost!
Portia, adieu, I have too grieved a heart
To take a tedious leave. Thus losers part
After reasoning with himself, the Prince of Morocco finally decides to open the golden casket inscribed with the words,
'Who chooseth me shall gain many men desire', as he believe only the most valuable and precious metal should contain the picture of a beautiful woman, Portia. Much to his dismay, he opens the casket, revealing a skull ('carrion Death') and a roll of paper with writing on it, which he then reads out.
Referring to the first line of the written scroll
'All the glisters is not gold', suggests that the Prince of Morocco made a mistake by choosing the casket that was the most appealing to the eye and judging something by its appearance. It is somewhat ironic, as the Prince of Morocco had once told Portia not to judge him because of his skin colour.
When the Prince finished reading the scroll, he says the last four lines before leaving. Shakespeare uses hyperbole and metaphors to emphasis the frustration of the Prince. For example, the line
'then farewell heat, and welcome frost!' literally means leaving the warmth and going into the cold, but what he really means is saying goodbye to the warmth of hope and welcoming the cold of misery and despair. The line
'Cold indeed and labour lost' is an exaggeration of all the so-called 'work' he has wasted, which is not alot going back to the fact that he is a wealthy prince with plenty of servants to do work for him.
This key speech is a significant part of the story as it proposes one of the morals of the play; don't judge a book by its cover.